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Exploring the Complexities of Family and Stunts in ‚Girls on Wire‘

Girls on Wire, directed by Vivian Qu, is a new Chinese crime melodrama that examines the intersection of family dysfunction and the demanding world of stunt work. The film premiered at the Berlin film festival and offers a unique look into the challenges faced by those behind the scenes in the film industry.

Set against the backdrop of a booming film and TV industry, the story follows Fang Di, portrayed by Wen Qi, as she navigates her exhausting role as a stunt double. Fang Di performs daring stunts, including wire-fu action, while grappling with her family’s debts to a mob matriarch. Her situation becomes more complicated when her estranged cousin, Tian Tian, played by Liu Haocun, reenters her life, bringing her own troubles related to debt and addiction.

The film combines elements of comedy and drama, often satirizing the absurdities of show business. It features humorous scenes that highlight the chaotic nature of film production, such as Fang Di’s awkward audition for a dramatic role. However, the film’s tone fluctuates, with moments of broad comedy contrasting against the serious themes of family and survival.

While the film delivers engaging visuals and a compelling narrative, it does contain some implausible elements. The portrayal of physical confrontations raises questions about realism, particularly in how easily the characters handle dangerous situations. Nevertheless, the film’s set pieces, especially those involving stunt work, stand out as highlights.

Overall, Girls on Wire presents a flawed yet captivating spectacle that delves into the complexities of family relationships and the harsh realities of the entertainment industry.

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